An 8mm fisheye shot in amongst the toilet pods of the Sketch restaurant in London.
I don’t suppose I’m the first person to photograph these toilets but even so I felt rather self-conscious taking photos. I had to hang around a bit to get the place to myself but this didn’t prove that easy given how ‘instagrammable’ the place is…….
Seen in Explore, no.375, 30/06/18.
Click here to see my other ‘Explore’ shots : www.flickr.com/photos/darrellg/albums/72157602147367611
For those intrigued by the restaurant you can take a look here : sketch.london/venue_Gallery_David_Shrigley.php?menu=1#gsc…
From Wikipedia : "9 Conduit is a Grade II listed townhouse in Mayfair, designed by Scottish Architect James Wyatt in 1779 as the private residence of James Viner. Following that the building hosted a bizarre variety of societies and institutions that, according to some accounts, included cyclists, balloonists and psychologists, as well as the Suffragette movement in the early 20th century, RIBA and Christian Dior.
In 1887–1909 Conduit Street was converted into the headquarters of Royal Institute of British Architects (RIBA) and still retains its plaque and crest in the entrance hall. During this time RIBA/AA hosted a competition to re-design the 18th century façade design and although this was never realized, the RIBA archive at the V&A retains some of the competition proposal drawings.
The townhouse continued its interesting design legacy and history in the mid-20th century to become Christian Dior’s London atelier, within which Dior housed his collections. During this time in the 1970s the listed interior was modified by the seminal mid century architect and leading Pop interior designer and furniture maker Max Clendinning (b. 1924) who designed cupboards, cubicles and display cases for Dior’s ready to wear clothes and accessories. To combine the old and new, everything (including the walls, ceilings and woodwork) was painted a uniform mid-grey with a grey velvet Wilton carpet and grey uniformed attendants to “throw the clothes into sharper relief, and seems to conform with the classical, refined elegance of the House of Dior itself.” This austere style of monochromatic design was developed from his seminal 1960s signature white on white designs that marked the peak of British Modernism.
When the building was taken over by Sketch the interior was re-designed by Mazouz and Paris-based designer and sculptor Noé Duchaufour Lawrance. Several other international designers were commissioned for signature pieces, which are featured throughout sketch."
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