Neals Yard, Covent Garden, London

October 23, 2020 by 4g3nd4

Covent Garden (/ˈkɒvənt/) is a district in London on the eastern fringes of the West End, between St. Martin’s Lane and Drury Lane. It is associated with the former fruit and vegetable market in the central square, now a popular shopping and tourist site, and the Royal Opera House, which is also known as "Covent Garden". The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal’s Yard and Seven Dials, while the south contains the central square with its street performers and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum.

Though mainly fields until the 16th century, the area was briefly settled when it became the heart of the Anglo-Saxon trading town of Lundenwic. After the town was abandoned, part of the area was walled off by 1200 for use as arable land and orchards by Westminster Abbey, and was referred to as "the garden of the Abbey and Convent". The land, now called "the Covent Garden", was seized by Henry VIII, and granted to the Earls of Bedford in 1552. The 4th Earl commissioned Inigo Jones to build some fine houses to attract wealthy tenants. Jones designed the Italianate arcaded square along with the church of St Paul’s. The design of the square was new to London, and had a significant influence on modern town planning, acting as the prototype for the laying-out of new estates as London grew. A small open-air fruit and vegetable market had developed on the south side of the fashionable square by 1654. Gradually, both the market and the surrounding area fell into disrepute, as taverns, theatres, coffee-houses and brothels opened up; the gentry moved away, and rakes, wits and playwrights moved in. By the 18th century it had become a well-known red-light district, attracting notable prostitutes. An Act of Parliament was drawn up to control the area, and Charles Fowler’s neo-classical building was erected in 1830 to cover and help organise the market. The area declined as a pleasure-ground as the market grew and further buildings were added: the Floral Hall, Charter Market, and in 1904 the Jubilee Market. By the end of the 1960s traffic congestion was causing problems, and in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. The central building re-opened as a shopping centre in 1980, and is now a tourist location containing cafes, pubs, small shops, and a craft market called the Apple Market, along with another market held in the Jubilee Hall.

Covent Garden, with the postcode WC2, falls within the London boroughs of Westminster and Camden, and the parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. The area has been served by the Piccadilly line at Covent Garden tube station since 1907; the journey from Leicester Square, at 300 yards, is the shortest in London.

Early history

The route of the Strand on the southern boundary of what was to become Covent Garden was used during the Roman period as part of a route to Silchester, known as "Iter VII" on the Antonine Itinerary. Excavations in 2006 at St Martin-in-the-Fields revealed a Roman grave, suggesting the site had sacred significance. The area to the north of the Strand was long thought to have remained as unsettled fields until the 16th century, but theories by Alan Vince and Martin Biddle that there had been an Anglo-Saxon settlement to the west of the old Roman town of Londinium were borne out by excavations in 1985 and 2005. These revealed Covent Garden as the centre of a trading town called Lundenwic, developed around 600 AD, which stretched from Trafalgar Square to Aldwych. Alfred the Great gradually shifted the settlement into the old Roman town of Londinium from around 886 AD onwards, leaving no mark of the old town, and the site returned to fields.

Around 1200 the first mention of an abbey garden appears in a document mentioning a walled garden owned by the Benedictine monks of the Abbey of St. Peter, Westminster. A later document, dated between 1250 and 1283, refers to "the garden of the Abbot and Convent of Westminster". By the 13th century this had become a 40-acre (16 ha) quadrangle of mixed orchard, meadow, pasture and arable land, lying between modern-day St. Martin’s Lane and Drury Lane, and Floral Street and Maiden Lane. The use of the name "Covent"—an Anglo-French term for a religious community, equivalent to "monastery" or "convent" —appears in a document in 1515, when the Abbey, which had been letting out parcels of land along the north side of the Strand for inns and market gardens, granted a lease of the walled garden, referring to it as "a garden called Covent Garden". This is how it was recorded from then on.

The Bedford Estate (1552–1918)

After the Dissolution of the Monasteries in 1540, Henry VIII took for himself the land belonging to Westminster Abbey, including the convent garden and seven acres to the north called Long Acre; and in 1552 his son, Edward VI, granted it to John Russell, 1st Earl of Bedford. The Russell family, who in 1694 were advanced in their peerage from Earl to Duke of Bedford, held the land from 1552 to 1918.

Russell had Bedford House and garden built on part of the land, with an entrance on the Strand, the large garden stretching back along the south side of the old walled-off convent garden. Apart from this, and allowing several poor-quality tenements to be erected, the Russells did little with the land until the 4th Earl of Bedford, Francis Russell, an active and ambitious businessman, commissioned Inigo Jones in 1630 to design and build a church and three terraces of fine houses around a large square or piazza. The commission had been prompted by Charles I taking offence at the condition of the road and houses along Long Acre, which were the responsibility of Russell and Henry Carey, 2nd Earl of Monmouth. Russell and Carey complained that under the 1625 Proclamation concerning Buildings, which restricted building in and around London, they could not build new houses; the King then granted Russell, for a fee of £2,000, a licence to build as many new houses on his land as he "shall thinke fitt and convenient". The church of St Paul’s was the first building, begun in July 1631 on the western side of the square. The last house was completed in 1637.

The houses initially attracted the wealthy, though when a market developed on the south side of the square around 1654, the aristocracy moved out and coffee houses, taverns, and prostitutes moved in. The Bedford Estate was expanded in 1669 to include Bloomsbury, when Lord Russell married Lady Rachel Vaughan, one of the daughters of the 4th Earl of Southampton.

By the 18th century, Covent Garden had become a well-known red-light district, attracting notable prostitutes such as Betty Careless and Jane Douglas. Descriptions of the prostitutes and where to find them were provided by Harris’s List of Covent Garden Ladies, the "essential guide and accessory for any serious gentleman of pleasure". In 1830 a market hall was built to provide a more permanent trading centre. In 1913, Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000.

Modern changes

Charles Fowler’s 1830 neo-classical building restored as a retail market.
The Covent Garden Estate was part of Beecham Estates and Pills Limited from 1924 to 1928, after which time it was managed by a successor company called Covent Garden Properties Company Limited, owned by the Beechams and other private investors. This new company sold some properties at Covent Garden, while becoming active in property investment in other parts of London. In 1962 the bulk of the remaining properties in the Covent Garden area, including the market, were sold to the newly established government-owned Covent Garden Authority for £3,925,000.

By the end of the 1960s, traffic congestion had reached such a level that the use of the square as a modern wholesale distribution market was becoming unsustainable, and significant redevelopment was planned. Following a public outcry, buildings around the square were protected in 1973, preventing redevelopment. The following year the market moved to a new site in south-west London. The square languished until its central building re-opened as a shopping centre in 1980. An action plan was drawn up by Westminster Council in 2004 in consultation with residents and businesses to improve the area while retaining its historic character. The market buildings, along with several other properties in Covent Garden, were bought by a property company in 2006.

Geography

Historically, the Bedford Estate defined the boundary of Covent Garden, with Drury Lane to the east, the Strand to the south, St. Martin’s Lane to the west, and Long Acre to the north. However, over time the area has expanded northwards past Long Acre to High Holborn, and since 1971, with the creation of the Covent Garden Conservation Area which incorporated part of the area between St Martins Lane and Charring Cross Road, the Western boundary is sometimes considered to be Charring Cross Road. Shelton Street, running parallel to the north of Long Acre, marks the London borough boundary between Camden and Westminster. Long Acre is the main thoroughfare, running north-east from St Martin’s Lane to Drury Lane.

The area to the south of Long Acre contains the Royal Opera House, the market and central square, and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum; while the area to the north of Long Acre is largely given over to independent retail units centred on Neal Street, Neal’s Yard and Seven Dials; though this area also contains residential buildings such as Odhams Walk, built in 1981 on the site of the Odhams print works, and is home to over 6,000 residents.

Governance
The Covent Garden estate was originally under the control of Westminster Abbey and lay in the parish of St Margaret. During a reorganisation in 1542 it was transferred to St Martin in the Fields, and then in 1645 a new parish was created, splitting governance of the estate between the parishes of St Paul Covent Garden and St Martin, both still within the Liberty of Westminster. St Paul Covent Garden was completely surrounded by the parish of St Martin in the Fields. It was grouped into the Strand District in 1855 when it came within the area of responsibility of the Metropolitan Board of Works.

In 1889 the parish became part of the County of London and in 1900 it became part of the Metropolitan Borough of Westminster. It was abolished as a civil parish in 1922. Since 1965 Covent Garden falls within the London boroughs of Westminster and Camden, and is in the Parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. For local council elections it falls within the St James’s ward for Westminster, and the Holborn and Covent Garden ward for Camden.

Economy

The area’s historic association with the retail and entertainment economy continues. In 1979, Covent Garden Market reopened as a retail centre; in 2010, the largest Apple Store in the world opened in The Piazza. The central hall has shops, cafes and bars alongside the Apple Market stalls selling antiques, jewellery, clothing and gifts; there are additional casual stalls in the Jubilee Hall Market on the south side of the square. Long Acre has a range of clothes shops and boutiques, and Neal Street is noted for its large number of shoe shops. London Transport Museum and the side entrance to the Royal Opera House box office and other facilities are also located on the square. During the late 1970s and 1980s the Rock Garden music venue was popular with up and coming punk rock and New Wave artists.

The market halls and several other buildings in Covent Garden were bought by CapCo in partnership with GE Real Estate in August 2006 for £421 million, on a 150-year head lease. The buildings are let to the Covent Garden Area Trust, who pay an annual peppercorn rent of one red apple and a posy of flowers for each head lease, and the Trust protects the property from being redeveloped. In March 2007 CapCo also acquired the shops located under the Royal Opera House. The complete Covent Garden Estate owned by CapCo consists of 550,000 sq ft (51,000 m2), and has a market value of £650 million.

Landmarks

The Royal Opera House, often referred to as simply "Covent Garden", was constructed as the "Theatre Royal" in 1732 to a design by Edward Shepherd. During the first hundred years or so of its history, the theatre was primarily a playhouse, with the Letters Patent granted by Charles II giving Covent Garden and Theatre Royal, Drury Lane exclusive rights to present spoken drama in London. In 1734, the first ballet was presented; a year later Handel’s first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premières here. It has been the home of The Royal Opera since 1945, and the Royal Ballet since 1946.

The current building is the third theatre on the site following destructive fires in 1808 and 1857. The façade, foyer and auditorium were designed by Edward Barry, and date from 1858, but almost every other element of the present complex dates from an extensive £178 million reconstruction in the 1990s. The Royal Opera House seats 2,268 people and consists of four tiers of boxes and balconies and the amphitheatre gallery. The stage performance area is roughly 15 metres square. The main auditorium is a Grade 1 listed building. The inclusion of the adjacent old Floral Hall, previously a part of the old Covent Garden Market, created a new and extensive public gathering place. In 1779 the pavement outside the playhouse was the scene of the murder of Martha Ray, mistress of the Earl of Sandwich, by her admirer the Rev. James Hackman.

Covent Garden square

Balthazar Nebot’s 1737 painting of the square before the 1830 market hall was constructed.
The central square in Covent Garden is simply called "Covent Garden", often marketed as "Covent Garden Piazza" to distinguish it from the eponymous surrounding area. Laid out in 1630, it was the first modern square in London, and was originally a flat, open space or piazza with low railings. A casual market started on the south side, and by 1830 the present market hall was built. The space is popular with street performers, who audition with the site’s owners for an allocated slot. The square was originally laid out when the 4th Earl of Bedford, Francis Russell, commissioned Inigo Jones to design and build a church and three terraces of fine houses around the site of a former walled garden belonging to Westminster Abbey. Jones’s design was informed by his knowledge of modern town planning in Europe, particularly Piazza d’Arme, in Leghorn, Tuscany, Piazza San Marco in Venice, Piazza Santissima Annunziata in Florence, and the Place des Vosges in Paris. The centrepiece of the project was the large square, the concept of which was new to London, and this had a significant influence on modern town planning in the city,[56] acting as the prototype for the laying-out of new estates as the metropolis grew. Isaac de Caus, the French Huguenot architect, designed the individual houses under Jones’s overall design.

The church of St Paul’s was the first building, and was begun in July 1631 on the western side of the square. The last house was completed in 1637. Seventeen of the houses had arcaded portico walks organised in groups of four and six either side of James Street on the north side, and three and four either side of Russell Street. These arcades, rather than the square itself, took the name Piazza; the group from James Street to Russell Street became known as the "Great Piazza" and that to the south of Russell Street as the "Little Piazza". None of Inigo Jones’s houses remain, though part of the north group was reconstructed in 1877–79 as Bedford Chambers by William Cubitt to a design by Henry Clutton.

Covent Garden market

The first record of a "new market in Covent Garden" is in 1654 when market traders set up stalls against the garden wall of Bedford House. The Earl of Bedford acquired a private charter from Charles II in 1670 for a fruit and vegetable market, permitting him and his heirs to hold a market every day except Sundays and Christmas Day. The original market, consisting of wooden stalls and sheds, became disorganised and disorderly, and the 6th Earl requested an Act of Parliament in 1813 to regulate it, then commissioned Charles Fowler in 1830 to design the neo-classical market building that is the heart of Covent Garden today. The contractor was William Cubitt and Company. Further buildings were added—the Floral hall, Charter Market, and in 1904 the Jubilee Market for foreign flowers was built by Cubitt and Howard.

By the end of the 1960s, traffic congestion was causing problems for the market, which required increasingly large lorries for deliveries and distribution. Redevelopment was considered, but protests from the Covent Garden Community Association in 1973 prompted the Home Secretary, Robert Carr, to give dozens of buildings around the square listed-building status, preventing redevelopment. The following year the market relocated to its new site, New Covent Garden Market, about three miles (5 km) south-west at Nine Elms. The central building re-opened as a shopping centre in 1980, with cafes, pubs, small shops and a craft market called the Apple Market. Another market, the Jubilee Market, is held in the Jubilee Hall on the south side of the square. The market halls and several other buildings in Covent Garden have been owned by the property company Capital & Counties Properties (CapCo) since 2006.

Theatre Royal, Drury Lane

The current Theatre Royal on Drury Lane is the most recent of four incarnations, the Second of which opened in 1663, making it the oldest continuously used theatre in London. For much of its first two centuries, it was, along with the Royal Opera House, a patent theatre granted rights in London for the production of drama, and had a claim to be one of London’s leading theatres. The first theatre, known as "Theatre Royal, Bridges Street", saw performances by Nell Gwyn and Charles Hart. After it was destroyed by fire in 1672, English dramatist and theatre manager Thomas Killigrew engaged Christopher Wren to build a larger theatre on the same spot, which opened in 1674. This building lasted nearly 120 years, under leadership including Colley Cibber, David Garrick, and Richard Brinsley Sheridan. In 1791, under Sheridan’s management, the building was demolished to make way for a larger theatre which opened in 1794; but that survived only 15 years, burning down in 1809. The building that stands today opened in 1812. It has been home to actors as diverse as Shakespearean actor Edmund Kean, child actress Clara Fisher, comedian Dan Leno, the comedy troupe Monty Python (who recorded a concert album there), and musical composer and performer Ivor Novello. Since November 2008 the theatre has been owned by composer Andrew Lloyd Webber and generally stages popular musical theatre. It is a Grade I listed building.

London Transport Museum

The London Transport Museum is in a Victorian iron and glass building on the east side of the market square. It was designed as a dedicated flower market by William Rogers of William Cubitt and Company in 1871, and was first occupied by the museum in 1980. Previously the transport collection had been held at Syon Park and Clapham. The first parts of the collection were brought together at the beginning of the 20th century by the London General Omnibus Company (LGOC) when it began to preserve buses being retired from service. After the LGOC was taken over by the London Electric Railway (LER), the collection was expanded to include rail vehicles. It continued to expand after the LER became part of the London Passenger Transport Board in the 1930s and as the organisation passed through various successor bodies up to TfL, London’s transport authority since 2000. The Covent Garden building has on display many examples of buses, trams, trolleybuses and rail vehicles from 19th and 20th centuries as well as artefacts and exhibits related to the operation and marketing of passenger services and the impact that the developing transport network has had on the city and its population.

St Paul’s Church

St Paul’s, commonly known as the Actors’ Church, was designed by Inigo Jones as part of a commission by Francis Russell in 1631 to create "houses and buildings fitt for the habitacons of Gentlemen and men of ability". Work on the church began that year and was completed in 1633, at a cost of £4,000, with it becoming consecrated in 1638. In 1645 Covent Garden was made a separate parish and the church was dedicated to St Paul. It is uncertain how much of Jones’s original building is left, as the church was damaged by fire in 1795 during restoration work by Thomas Hardwick; though it is believed that the columns are original—the rest is mostly Georgian or Victorian reconstruction.

Culture

The Covent Garden area has long been associated with both entertainment and shopping, and this continues. Covent Garden has 13 theatres, and over 60 pubs and bars, with most south of Long Acre, around the main shopping area of the old market. The Seven Dials area in the north of Covent Garden was home to the punk rock club The Roxy in 1977, and the area remains focused on young people with its trendy mid-market retail outlets.

Street performance

Street entertainment at Covent Garden was noted in Samuel Pepys’s diary in May 1662, when he recorded the first mention of a Punch and Judy show in Britain. Impromptu performances of song and swimming were given by local celebrity William Cussans in the eighteenth century. Covent Garden is licensed for street entertainment, and performers audition for timetabled slots in a number of venues around the market, including the North Hall, West Piazza, and South Hall Courtyard. The courtyard space is dedicated to classical music only. There are street performances at Covent Garden Market every day of the year, except Christmas Day. Shows run throughout the day and are about 30 minutes in length. In March 2008, the market owner, CapCo, proposed to reduce street performances to one 30-minute show each hour.

Pubs and bars

The Covent Garden area has over 60 pubs and bars; several of them are listed buildings, with some also on CAMRA’s National Inventory of Historic Pub Interiors; some, such as The Harp in Chandos Place, have received consumer awards. The Harp’s awards include London Pub of the Year in 2008 by the Society for the Preservation of Beers from the Wood, and National Pub of the Year by CAMRA in 2011. It was at one time owned by the Charrington Brewery, when it was known as The Welsh Harp; in 1995 the name was abbreviated to just The Harp, before Charrington sold it to Punch Taverns in 1997. It has been owned by the landlady since 2010.

The Lamb and Flag in Rose Street has a reputation as the oldest pub in the area, though records are not clear. The first mention of a pub on the site is 1772 (when it was called the Cooper’s Arms – the name changing to Lamb & Flag in 1833); the 1958 brick exterior conceals what may be an early 18th-century frame of a house replacing the original one built in 1638.[94] The pub acquired a reputation for staging bare-knuckle prize fights during the early 19th century when it earned the nickname "Bucket of Blood". The alleyway beside the pub was the scene of an attack on John Dryden in 1679 by thugs hired by John Wilmot, 2nd Earl of Rochester, with whom he had a long-standing conflict.

The Salisbury in St. Martin’s Lane was built as part of a six-storey block around 1899 on the site of an earlier pub that had been known under several names, including the Coach & Horses and Ben Caunt’s Head; it is both Grade II listed, and on CAMRA’s National Inventory, due to the quality of the etched and polished glass and the carved woodwork, summed up as "good fin de siècle ensemble". The Freemasons Arms on Long Acre is linked with the founding of the Football Association in 1896; however, the meetings took place at The Freemasons Tavern on Great Queen Street, which was replaced in 1909 by the Connaught Rooms.

Other pubs that are Grade II listed are of minor interest, they are three 19th century rebuilds of 17th century/18th century houses, the Nell Gwynne Tavern in Bull Inn Court, the Nag’s Head on James Street, and the White Swan on New Row; a Victorian pub built by lessees of the Marquis of Exeter, the Old Bell on the corner of Exeter Street and Wellington Street; and a late 18th or early 19th century pub the Angel and Crown on St. Martin’s Lane.

Cultural connections

Covent Garden, and especially the market, have appeared in a number of works. Eliza Doolittle, the central character in George Bernard Shaw’s play, Pygmalion, and the musical adaptation by Alan Jay Lerner, My Fair Lady, is a Covent Garden flower seller. Alfred Hitchcock’s 1972 film Frenzy about a Covent Garden fruit vendor who becomes a serial sex killer, was set in the market where his father had been a wholesale greengrocer. The daily activity of the market was the topic of a 1957 Free Cinema documentary by Lindsay Anderson, Every Day Except Christmas, which won the Grand Prix at the Venice Festival of Shorts and Documentaries.

Transport

Covent Garden is served by the Piccadilly line at Covent Garden tube station on the corner of Long Acre and James Street. The station was opened by Great Northern, Piccadilly and Brompton Railway on 11 April 1907, four months after services on the rest of the line began operating on 15 December 1906. Platform access is only by lift or stairs; until improvements to the exit gates in 2007, due to high passenger numbers (16 million annually), London Underground had to advise travellers to get off at Leicester Square and walk the short distance (the tube journey at less than 300 yards is London’s shortest) to avoid the congestion. Stations just outside the area include the Charing Cross tube station and Charing Cross railway station, Leicester Square tube station, and Holborn tube station. While there is only one bus route in Covent Garden itself—the RV1, which uses Catherine Street as a terminus, just to the east of Covent Garden square—there are over 30 routes which pass close by, mostly on the Strand or Kingsway.

en.wikipedia.org/wiki/Covent_Garden

Posted by PaChambers on 2015-10-07 16:27:33

Tagged: , London , uk , gb , urban , covent garden , autumn 2015 , 2015 , october , sunny , Neals Yard , colour

Christ Church Greyfriars, Newgate, City of London, England

October 21, 2020 by 4g3nd4

Christ Church Greyfriars, also known as Christ Church Newgate Street, was a church in Newgate Street, opposite St Paul’s Cathedral in the City of London. Established as a monastic church in the thirteenth century, it became a parish church after the dissolution of the monastery. Following its destruction in the Great Fire of London of 1666, it was rebuilt to the designs of Sir Christopher Wren. Except for the tower, the church was largely destroyed by bombing during the Second World War. The ruins are now a public garden.

Gothic church

Christ Church Greyfriars had its origins in the conventual church of a Franciscan monastery, the name "Greyfriars" being a reference to the grey habits worn by Franciscan monks. The first church on the site was built in the thirteenth century, but this was soon replaced by a bigger building, begun in 1306 and consecrated in 1326. This new church was the second largest in medieval London, measuring 300 feet (91 m) long and 89 feet (27 m) wide, with at least eleven altars. It was built partly at the expense of Marguerite of France, second wife of King Edward I. She was buried at the church, as was Isabella, widow of Edward II. The heart of Eleanor of Provence, wife of Henry III, was also interred there.

Richard Whittington, Lord Mayor of London founded a library in connection with the church in 1429.

The monastery was dissolved in 1538 during the English Reformation. The building and fittings suffered heavy damage in this period. Tombs disappeared, sold for their marble and other valuable materials; monuments were defaced. In 1546 Henry VIII gave the priory and its church, along with the churches of St Nicholas Shambles and St Ewin, Newgate Market, to the City Corporation. A new parish of Christ Church was created, incorporating those of St Nicholas and St Ewin, and part of that of St Sepulchre. The priory buildings later housed Christ’s Hospital school, founded by Edward VI, and the church became its pupils’ principal place of worship.

Wren’s church

The medieval church was destroyed by the Great Fire of London in 1666. Reconstruction was assigned to Wren, who oversaw a decades long-programme that rebuilt St. Paul’s Cathedral and approximately 50 parish churches in the fire zone. There appears to have been some debate about the form the new Christ Church should take. A surviving unused design shows a structure considerably larger than what was eventually built.

The parish was united with that of St Leonard, Foster Lane, which was not rebuilt.

Parishioners raised £1,000 to begin work on the design that in the end was selected. To save time and money, the foundations of the gothic church were partially reused. The new church and tower (without steeple) were completed in 1687, at a total cost of £11,778 9s. shillings 7¼d. Smaller than the gothic structure, the building measured 114 feet (35 m) long and 81 feet (25 m) wide, occupying only the eastern end of the site of the medieval church, the western part becoming its churchyard.

The tower, rising from the west end of the church, had a simple round-arched main entranceway and, above, windows decorated with neoclassical pediments. Large carved pineapples, symbols of welcome, graced the four roof corners of the main church structure. Unique among the Wren churches, the east and west walls had buttresses.

The interior was divided into nave and aisles by Corinthian columns, raised on tall plinths so that their bases were level with the gallery floors. The aisles had flat ceilings, while the nave had a shallow cross-vault. The north and south walls had large round-arched windows of clear glass, which allowed for a brightly lit interior. The east end had trinity windows, a large wooden altar screen and a carved hexagonal pulpit, reached by stairs. There was elaborate carved wainscoting. A pavement of reddish brown and grey marble to the west of the altar rails was said to date from the original gothic church. Galleries stood over the north and south aisles, built at special request of the officers of Christ’s Hospital as seating for the school’s students. Pews were said to have been made from the timbers of a wrecked Spanish galleon. The organ, on the west wall over the main nave door, was built by Renatus Harris in 1690, according to a pre-war guide to the church.

The steeple, standing about 160 feet (49 m) tall, was finished in 1704 at an additional cost of £1,963, 8s. 3½ d. It has three diminishing storeys, square in plan, the middle one with a freestanding Ionic colonnade.

Over the course of the church’s existence, significant modifications were made. In 1760, a vestry house was built against the facade’s south side and part of the church’s south wall. At some point, rooms were enclosed in the north and south aisles beneath the galleries. Stained glass depicting Jesus with the children was installed in the centre trinity window to replace the original clear glass.

The church functioned as an important centre of City of London society and music. The Lord Mayor attended an annual service to hear the Ancient Spital Sermon on the second Wednesday after Easter, placing his ceremonial sword in a special holder. Felix Mendelssohn played Bach’s A minor fugue and other works on the organ in 1837. Samuel Wesley also performed at the church.

The Christ’s Hospital boys continued to attend services, sitting in the galleries. According to the pre-war guide book to the church, they included the young Samuel Coleridge and Charles Lamb. Sixth Form boys tasked with maintaining order sat in special seats placed over those of the younger students. A few boys carved initials in the woodwork.

Decline of the congregation

Around the turn of the 20th century, Christ’s Hospital moved out of the City to Horsham, West Sussex, ending the Sunday influx of its schoolboys. A new vicar, T.R. Hine-Haycock, took over in 1912. A July 1922 Christ Church newsletter preserved at Guildhall Library shows that at that time it had an 8:30 a.m. Holy Communion service every Sunday, and musical services at 11 a.m. every first and third Sunday. The church was open daily for private prayer from noon to 3 p.m. In its final years, the congregation continued to drop in size, a common trend for City churches as people relocated to suburban neighbourhoods of London. Parish records at the Guildhall Library show there were 112 members in April 1933, mostly residents of places outside the parish boundaries. Many of those who made their homes in the parish were "housekeepers", people who lived in and looked after commercial buildings. In April 1937, the membership had dropped to 77.

Destruction

The church was severely damaged in the Blitz on 29 December 1940. During one of the Second World War’s fiercest air raids on London, a firebomb struck the roof and tore into the nave. Much of the surrounding neighbourhood was also set alight—a total of eight Wren churches burned that night. At Christ Church, the only fitting known to have been saved was the cover of the finely carved wooden font, recovered by an unknown postman who ran inside as the flames raged. The roof and vaulting collapsed into the nave; the tower and four main walls, made of stone, remained standing but were smoke-scarred and gravely weakened. A photograph taken the following day shows two firemen hosing down smouldering rubble in the nave.

Post-war period

In 1949, in a reorganisation of Church of England parishes in London, authorities decided not to rebuild Christ Church. The remains of the church were designated a Grade I listed building on 4 January 1950. In 1954, the Christ Church parish was merged with that of the nearby St Sepulchre-without-Newgate. The steeple, still standing after the wartime damage, was disassembled in 1960 and put back together using modern construction methods. The surviving east wall was demolished in 1962 to make way for a widening of King Edward Street. In 1981, neo-Georgian brick offices were constructed against the southwest corner of the ruins, in imitation of the 1760 vestry house that had stood there. In 1989, the former nave area became a public garden and memorial. The tower functioned as commercial space, although it has now been converted into a private residence.

In 2002, the financial firm Merrill Lynch completed a regional headquarters complex on land abutting to the north and the west. In conjunction with that project, the Christ Church site underwent a major renovation and archeological examination, King Edward Street was returned to its former course, and the site of the church regained its pre-war footprint. The churchyard was spruced up and its metal railings restored. In 2006, work was completed to convert the tower and spire into a modern twelve-level private residence. The nave area continues as a memorial; the wooden font cover, topped by a carved angel, can today be seen in the porch of St Sepulchre-without-Newgate.

en.wikipedia.org/wiki/Christ_Church_Greyfriars

Posted by PaChambers on 2015-11-08 14:33:53

Tagged: , Christianity , chapel , holy , religon , ruin , christ , church , newgate , greyfriars , ruins , city of london , london , city , st pauls , garden

Ancient Lights, Byrdges Place, Covent Garden, London, England

October 20, 2020 by 4g3nd4

Early history

The Bedford Estate (1552–1918)

Modern changes

Geography

Economy

Landmarks

Covent Garden square

Covent Garden market

Theatre Royal, Drury Lane

London Transport Museum

St Paul’s Church

Culture

Street performance

Pubs and bars

Cultural connections

Transport

en.wikipedia.org/wiki/Covent_Garden

Posted by PaChambers on 2015-07-24 14:15:43

Tagged: , signage , lights , ancient , ancient lights , garden , Covent , London , brydges , sign

Great Things Happened Here 1, South East London, England.

October 17, 2020 by 4g3nd4

A former workshop of L.Gandolfi & Sons, (Established 1880) Master Camera Makers.

Makers of legendary hand crafted wooden view cameras.

The company survived until 1993.

LR3350

Posted by Joseph O’Malley64 on 2019-05-02 16:05:45

Tagged: , L.Gandolfi & Sons , Gandolfi , Gandolfi Cameras , L.Gandolfi & Sons, Master Camera Makers , View Cameras , Plate Cameras , Hand Built , Hand Crafted , Hand Made , Precision Made , Engineered , Woodwork , Metalwork , Precision Optical Instruments , Workshop , Former Workshop , Family Business , Business Premises , The Built Environment , New Topography , New Topographics , Man Made Environment , Man Made Structure , Buildings , Structures , VictorIan Buildings , Shopfront , Chemists Shop , Stucco , Stucco Work , Mouldings , Brickwork , Bricks & Mortar , Cement , Pointing , Slate Roof , Eaves , Ornamental Woodwork , Lead Flashing , Sash Windows , Windows , Shutters , Roller Shutters , Graffiti , Wheelie Bins , Ivy , Concrete , Pavement , Granite Kerbing , Tarmac , South East London , London , England , UK , Britain , British , Great Britain , Architectural Photography , Documentary Photography , British Documentary Photography , Fuji X , Fuji X100T , Accuracy & Precision

Christmas 2015 – London Covent Garden

October 16, 2020 by 4g3nd4

Early history

The Bedford Estate (1552–1918)

Modern changes

Geography

Economy

Landmarks

Covent Garden square

Covent Garden market

Theatre Royal, Drury Lane

London Transport Museum

St Paul’s Church

Culture

Street performance

Pubs and bars

Cultural connections

Transport

en.wikipedia.org/wiki/Covent_Garden

Posted by PaChambers on 2015-11-13 20:44:20

Tagged:

UK – London – Sketch Restaurant – Toilets 18_sq_DSC1411

October 15, 2020 by 4g3nd4

An 8mm fisheye shot in amongst the toilet pods of the Sketch restaurant in London.

I don’t suppose I’m the first person to photograph these toilets but even so I felt rather self-conscious taking photos. I had to hang around a bit to get the place to myself but this didn’t prove that easy given how ‘instagrammable’ the place is…….

Seen in Explore, no.375, 30/06/18.

Click here to see my other ‘Explore’ shots : www.flickr.com/photos/darrellg/albums/72157602147367611

For those intrigued by the restaurant you can take a look here : sketch.london/venue_Gallery_David_Shrigley.php?menu=1#gsc…

From Wikipedia : "9 Conduit is a Grade II listed townhouse in Mayfair, designed by Scottish Architect James Wyatt in 1779 as the private residence of James Viner. Following that the building hosted a bizarre variety of societies and institutions that, according to some accounts, included cyclists, balloonists and psychologists, as well as the Suffragette movement in the early 20th century, RIBA and Christian Dior.

In 1887–1909 Conduit Street was converted into the headquarters of Royal Institute of British Architects (RIBA) and still retains its plaque and crest in the entrance hall. During this time RIBA/AA hosted a competition to re-design the 18th century façade design and although this was never realized, the RIBA archive at the V&A retains some of the competition proposal drawings.

The townhouse continued its interesting design legacy and history in the mid-20th century to become Christian Dior’s London atelier, within which Dior housed his collections. During this time in the 1970s the listed interior was modified by the seminal mid century architect and leading Pop interior designer and furniture maker Max Clendinning (b. 1924) who designed cupboards, cubicles and display cases for Dior’s ready to wear clothes and accessories. To combine the old and new, everything (including the walls, ceilings and woodwork) was painted a uniform mid-grey with a grey velvet Wilton carpet and grey uniformed attendants to “throw the clothes into sharper relief, and seems to conform with the classical, refined elegance of the House of Dior itself.” This austere style of monochromatic design was developed from his seminal 1960s signature white on white designs that marked the peak of British Modernism.

When the building was taken over by Sketch the interior was re-designed by Mazouz and Paris-based designer and sculptor Noé Duchaufour Lawrance. Several other international designers were commissioned for signature pieces, which are featured throughout sketch."

My Website : Twitter : Facebook : Instagram : Photocrowd

Posted by Darrell Godliman on 2018-06-08 12:55:00

Tagged: , UK – London – Sketch Restaurant – Toilets 18_sq_DSC1411 , Sketch , Sketch London , restaurant , Interior Design , design , 9 Conduit Street , Conduit St , London , toilet , toilets , WC , restroom , white , pods , pod , futuristic , United Kingdom , UK , GB , Great Britain , Britain , Engand , Europe , sq , Square format , SQUARES , BSquare , Fisheye , 8mm , Samyang , wideangle , Architecture , Contemporary Architecture , Modern Architecture , unique

St Albans Cathedral Abbey, St Albans, Hertfordshire, England

October 14, 2020 by 4g3nd4

St Albans Cathedral, also known as the Cathedral and Abbey Church of St Alban, is a Church of England cathedral church within St Albans, England. At 84 metres (276 ft), its nave is the longest of any cathedral in England. With much of its present architecture dating from Norman times, it was formerly known as St Albans Abbey before it became a cathedral in 1877. It is the second longest cathedral in the United Kingdom (after Winchester). Local residents often call it "the abbey", although the present cathedral represents only the church of the old Benedictine abbey.

The abbey church, although legally a cathedral church, differs in certain particulars from most of the other cathedrals in England: it is also used as a parish church, of which the dean is rector. He has the same powers, responsibilities and duties as the rector of any other parish.

Alban was a pagan living in the Roman city of Verulamium, now Verulamium Park, in St Albans, in Hertfordshire, England, about 22 miles (35 km) north of London along Watling Street. Before Christianity became the official religion of the Roman Empire, local Christians were being persecuted by the Romans. Alban sheltered their priest, Saint Amphibalus, in his home and was converted to the Christian faith by him. When the soldiers came to Alban’s house looking for the priest, Alban exchanged cloaks with the priest and let himself be arrested in his place. Alban was taken before the magistrate, where he avowed his new Christian faith and was condemned for it. He was beheaded, according to legend, on the spot where the cathedral named after him now stands. The site is on a steep hill and legend has it that his head rolled down the hill after being cut off and that a well sprang up at the point where it stopped.
A well certainly exists today and the road up to the cathedral is named Holywell Hill. However the current well structure is no older than the late 19th century and it is thought that the name of the street derives from the "Halywell" river and "Halywell Bridge", not from the well.

The date of Alban’s execution is a matter of some debate and is generally given as "circa 250"—scholars generally suggest dates of 209, 254 or 304.

History of the abbey and cathedral

A memoria over the execution point and holding the remains of Alban existed at the site from the mid-4th century (possibly earlier); Bedementions a church and Gildas a shrine. Bishop Germanus of Auxerre visited in 429 and took a portion of the apparently still bloody earth away. The style of this structure is unknown; the 13th century chronicler Matthew Paris (see below) claimed that the Saxons destroyed the building in 586.

Saxon buildings
Offa II of Mercia, who ruled in the 8th century, is said to have founded the Benedictine abbey and monastery at St Albans. All later religious structures are dated from the foundation of Offa’s abbey in 793. The abbey was built on Holmhurst Hill—now Holywell Hill—across the River Ver from the ruins of Verulamium. Again there is no information to the form of the first abbey. The abbey was probably sacked by the Danes around 890 and, despite Paris’s claims, the office of abbot remained empty from around 920 until the 970s when the efforts of Dunstanreached the town.

There was an intention to rebuild the abbey in 1005 when Abbot Ealdred was licensed to remove building material from Verulamium. With the town resting on clay and chalk the only tough stone is flint. This was used with a lime mortar and then either plastered over or left bare. With the great quantities of brick, tile and other stone in Verulamium the Roman site became a prime source of building material for the abbeys, and other projects in the area, up to the 18th century. Sections demanding worked stone used Lincolnshire limestone (Barnack stone) from Verulamium, later worked stones include Totternhoe freestone from Bedfordshire, Purbeck marble, and different limestones (Ancaster, Chilmark, Clipsham, etc.).
Renewed Viking raids from 1016 stalled the Saxon efforts and very little from the Saxon abbey was incorporated in the later forms.

The nave. The north wall (left) features a mix of Norman arches dating back to 1077 and arches in the Early English style of 1200.

Norman abbey
Much of the current layout and proportions of the structure date from the first Norman abbot, Paul of Caen (1077–1093). The 14th abbot, he was appointed by the new Archbishop of Canterbury, Lanfranc.

Building work started in the year of Abbot Paul’s arrival. The design and construction was overseen by the Norman Robert the Mason. The plan has very limited Anglo-Saxon elements and is clearly influenced by the French work at Cluny, Bernay, and Caen and shares a similar floor plan to Saint-Étienne and Lanfranc’s Canterbury—although the poorer quality building material was a new challenge for Robert and he clearly borrowed some Roman techniques, learned while gathering material in Verulamium. To take maximum use of the hilltop the abbey was oriented to the south-east. The cruciform abbey was the largest built in England at that time, it had a chancel of four bays, a transept containing seven apses, and a nave of ten bays—fifteen bays long overall. Robert gave particular attention to solid foundations, running a continuous wall of layered bricks, flints and mortar below and pushing the foundations down to twelve feet to hit bedrock. Below the crossing tower special large stones were used.

The tower was a particular triumph—it is the only 11th century great crossing tower still standing in England. Robert began with special thick supporting walls and four massive brick piers. The four-level tower tapers at each stage with clasping buttresses on the three lower levels and circular buttresses on the fourth stage. The entire structure masses 5,000 tons and is 144 feet high. The tower was probably topped with a Norman pyramidal roof; the current roof is flat. The original ringing chamber had five bells—two paid for by the Abbot, two by a wealthy townsman, and one donated by the rector of Hoddesdon. None of these bells has survived.
There was a widespread belief that the abbey had two additional, smaller towers at the west end. No remains have been found.

The monastic abbey was completed in 1089 but not consecrated until Holy Innocents’ Day, 1115, (28 Dec) by the Archbishop of Rouen. King Henry I attended as did many bishops and nobles.
A nunnery (Sopwell Priory) was founded nearby in 1140.

Internally the abbey was bare of sculpture, almost stark. The plaster walls were coloured and patterned in parts, with extensive tapestries adding colour. Sculptural decoration was added, mainly ornaments, as it became more fashionable in the 12th century—especially after the Gothic style arrived in England around 1170.

In the current structure the original Norman arches survive principally under the central tower and on the north side of the nave. The arches in the rest of the building are Gothic, following medieval rebuilding and extensions, and Victorian era restoration.

The abbey was extended in the 1190s by Abbot John de Cella (also known as John of Wallingford) (1195–1214); as the number of monks grew from fifty to over a hundred, the abbey was extended westwards with three bays added to the nave. The severe Norman west front was also rebuilt by Hugh de Goldclif—although how is uncertain, it was very costly but its ‘rapid’ weathering and later alterations have erased all but fragments. A more prominent shrine and altar to Saint Amphibalus were also added. The work was very slow under de Cella and was not completed until the time of Abbot William de Trumpington (1214–35). The low Norman tower roof was demolished and a new, much higher, broached spire was raised, sheathed in lead.
The St Albans Psalter (ca. 1130–45) is the best known of a number of important Romanesque illuminated manuscripts produced in the Abbey scriptorium. Later, Matthew Paris, a monk at St Albans from 1217 until his death in 1259, was important both as a chronicler and an artist. Eighteen of his manuscripts survive and are a rich source of contemporary information for historians.
Nicholas Breakspear was born near St Albans and applied to be admitted to the abbey as a novice, but he was turned down. He eventually managed to be accepted into an abbey in France. In 1154 he was elected Pope Adrian IV, the only English Pope there has ever been. The head of the abbey was confirmed as the premier abbot in England also in 1154.

13th to 15th centuries

An earthquake shook the abbey in 1250 and damaged the eastern end of the church. In 1257 the dangerously cracked sections were knocked down—three apses and two bays. The thick Presbytery wall supporting the tower was left. The rebuilding and updating was completed during the rule of Abbot Roger de Norton (1263–90).

On 10 October 1323 two piers on the south side of the nave collapsed dragging down much of the roof and wrecking five bays. Mason Henry Wy undertook the rebuilding, matching the Early English style of the rest of the bays but adding distinctly 14th century detailing and ornaments. The shrine to St Amphibalus had also been damaged and was remade.

Abbey Gateway, now part of St. Albans School.
Richard of Wallingford, abbot from 1297 to 1336 and a mathematician and astronomer, designed a celebrated clock, which was completed by William of Walsham after his death, but apparently destroyed during the reformation.

A new gateway, now called the Abbey Gateway, was built to the abbey grounds in 1365, which was the only part of the monastery buildings (besides the church) to survive the dissolution, later being used as a prison and now part of St Albans School. The other monastic buildings were located to the south of the gateway and church.

In the 15th century a large west window of nine main lights and a deep traced head was commissioned by John of Wheathampstead. The spire was reduced to a ‘Hertfordshire spike’, the roof pitch greatly reduced and battlements liberally added. Further new windows, at £50 each, were put in the transept by Abbot Wallingford (also known as William of Wallingford), who also had a new high altar screen made.

Dissolution and after
After the death of Abbot Ramryge in 1521 the abbey fell into debt and slow decay under three weak abbots. At the time of the Dissolution of the Monasteries and its surrender on 5 December 1539 the income was £2,100 annually. The abbot and remaining forty monks were pensioned off and then the buildings were looted. All gold, silver and gilt objects were carted away with all other valuables; stonework was broken and defaced and graves opened to burn the contents.

The abbey became part of the diocese of Lincoln in 1542 and was moved to the diocese of London in 1550. The buildings suffered—neglect, second-rate repairs, even active damage. Richard Lee purchased all the buildings, except the church and chapel and some other Crown premises, in 1550. Lee then began the systematic demolition for building material to improve Lee Hall at Sopwell. In 1551, with the stone removed, Lee returned the land to the abbot. The area was named Abbey Ruins for the next 200 years or so.

In 1553 the Lady chapel became a school, the Great Gatehouse a town jail, some other buildings passed to the Crown, and the Abbey Church was sold to the town for £400 in 1553 by King Edward VI to be the church of the parish.

The cost of upkeep fell upon the town, although in 1596 and at irregular intervals later the Archdeacon was allowed to collect money for repairs by Brief in the diocese. After James I visited in 1612 he authorised another Brief, which collected around £2,000—most of which went on roof repairs. The English Civil War slashed the monies spent on repairs, while the abbey was used to hold prisoners of war and suffered from their vandalism, as well as that of their guards. Most of the metal objects that had survived the Dissolution were also removed and other ornamental parts were damaged in Puritan sternness. Another round of fund-raising in 1681–84 was again spent on the roof, repairing the Presbytery vault. A royal grant from William and Mary in 1689 went on general maintenance, ‘repairs’ to conceal some of the unfashionable Gothic features, and on new internal fittings. There was a second royal grant from William in 1698.
By the end of the 17th century the dilapidation was sufficient for a number of writers to comment upon it.

In 1703, from 26 November to 1 December, the Great Storm raged across southern England; the abbey lost the south transept window which was replaced in wood at a cost of £40. The window was clear glass with five lights and three transoms in an early Gothic Revival style by John Hawgood. Other windows, although not damaged in the storm, were a constant drain on the abbey budget in the 18th century.

A brief in 1723–24, seeking £5,775, notes a great crack in the south wall, that the north wall was eighteen inches from vertical, and that the roof timbers were decayed to the point of danger. The money raised was spent on the nave roof over ten bays.

Another brief was not issued until 1764. Again the roof was rotting, as was the south transept window, walls were cracked or shattered in part and the south wall had subsided and now leant outwards. Despite a target of £2,500 a mere £600 was raised.
In the 1770s the abbey came close to demolition; the expense of repairs meant a scheme to destroy the abbey and erect a smaller church almost succeeded.

A storm in 1797 caused some subsidence, cracking open graves, scattering pavement tiles, flooding the church interior and leaving a few more arches off-vertical.

19th century

The Wallingford Screen of c. 1480—the statues are Victorian replacements (1884–89) of the originals, destroyed in the Dissolution of the Monasteries, when the screen itself was also damaged. Statues of St Alban and St Amphibalus stand on either side of the altar.

This century was marked with a number of repair schemes. The abbey received some money from the 1818 "Million Act", and in 1820 £450 was raised to buy an organ—a second-hand example made in 1670.

The major efforts to revive the abbey church came under four men—L. N. Cottingham, Rector H. J. B. Nicholson, and, especially, George Gilbert Scott and Edmund Beckett, first Baron Grimthorpe.

In February 1832 a portion of the clerestory wall fell through the roof of the south aisle, leaving a hole almost thirty feet long. With the need for serious repair work evident the architect Lewis Nockalls Cottingham was called in to survey the building. His Survey was presented in 1832 and was worrying reading: everywhere mortar was in a wretched condition and wooden beams were rotting and twisting. Cottingham recommended new beams throughout the roof and a new steeper pitch, removal of the spire and new timbers in the tower, new paving, ironwork to hold the west transept wall up, a new stone south transept window, new buttresses, a new drainage system for the roof, new ironwork on almost all the windows, and on and on. He estimated a cost of £14,000. A public subscription of £4,000 was raised, of which £1,700 vanished in expenses. With the limited funds the clerestory wall was rebuilt, the nave roof re-leaded, the tower spike removed, some forty blocked windows reopened and glazed, and the south window remade in stone.

Henry Nicholson, rector from 1835 to 1866, was also active in repairing the abbey church—as far as he could, and in uncovering lost or neglected Gothic features.

In 1856 repair efforts began again; £4,000 was raised and slow moves started to gain the abbey the status of cathedral. George Gilbert Scottwas appointed the project architect and oversaw a number of works from 1860 until his death in 1878.
Scott began by having the medieval floor restored, necessitating the removal of tons of earth, and fixing the north aisle roof. From 1872–77 the restored floors were re-tiled in matching stone and copies of old tile designs. A further 2,000 tons of earth were shifted in 1863 during work on the foundation and a new drainage system. In 1870 the tower piers were found to be badly weakened with many cracks and cavities. Huge timbers were inserted and the arches filled with brick as an emergency measure. Repair work took until May 1871 and cost over £2,000. The south wall of the nave was now far from straight; Scott reinforced the north wall and put in scaffolding to take the weight of the roof off the wall, then had it jacked straight in under three hours. The wall was then buttressed with five huge new masses and set right. Scott was lauded as "saviour of the Abbey." From 1870–75 around £20,000 was spent on the abbey.
In 1845 St Albans was transferred from the Diocese of Lincoln to the Diocese of Rochester. Then, in 1875, the Bishopric of St Albans Act was passed and on 30 April 1877 the See of St Albans was created, which comprises about 300 churches in the counties of Hertfordshire and Bedfordshire. The then Bishop of Rochester, the Right Revd Dr Thomas Legh Claughton, elected to take the northern division of his old diocese and on 12 June 1877 was enthroned first Bishop of St Albans, a position he held until 1890. He is buried in the churchyard on the north side of the nave.
George Gilbert Scott was working on the nave roof, vaulting and west bay when he died on 27 March 1878. His plans were partially completed by his son, John Oldrid Scott, but the remaining work fell into the hands of Lord Grimthorpe, whose efforts have attracted much controversy—Nikolaus Pevsner calling him a "pompous, righteous bully." However, he donated much of the immense sum of £130,000 the work cost.

Whereas Scott’s work had clearly been in sympathy with the existing building, Grimthorpe’s plans reflected the Victorian ideal. Indeed, he spent considerable time dismissing and criticising the work of Scott and the efforts of his son.
Grimthorpe first reinstated the original pitch of the roof, although the battlements added for the lower roof were retained. Completed in 1879, the roof was leaded, following on Scott’s desires.

1805 engraving of the west front of the abbey showing the lost Wheathampstead window.
His second major project was the most controversial. The west front, with the great Wheathampstead window, was cracked and leaning, and Grimthorpe, never more than an amateur architect, designed the new front himself—attacked as dense, misproportioned and unsympathetic: "His impoverishment as a designer … [is] evident"; "this man, so practical and ingenious, was utterly devoid of taste … his great qualities were marred by arrogance … and a lack of historic sense". Counter proposals were deliberately substituted by Grimthorpe for poorly drawn versions and Grimthorpe’s design was accepted?. During building it was considerably reworked in order to fit the actual frontage and is not improved by the poor quality sculpture. Work began in 1880 and was completed in April 1883, having cost £20,000.

The Lady Chapel at the east end of the cathedral.
Grimthorpe was noted for his aversion to the Perpendicular—to the extent that he would have sections he disliked demolished as "too rotten" rather than remade. In his reconstruction, especially of windows, he commonly mixed architectural styles carelessly (see the south aisle, the south choir screen and vaulting). He spent £50,000 remaking the nave. Elsewhere he completely rebuilt the south wall cloisters, with new heavy buttresses, and removed the arcading of the east cloisters during rebuilding the south transept walls. In the south transept he completely remade the south face, completed in 1885, including the huge lancet window group—his proudest achievement—and the flanking turrets; a weighty new tiled roof was also made. In the north transept Grimthorpe had the Perpendicular window demolished and his design inserted—a rose window of circles, cusped circles and lozenges arrayed in five rings around the central light, sixty-four lights in total, each circle with a different glazing pattern.

Grimthorpe continued through the Presbytery in his own style, adapting the antechapel for Consistory Courts, and into the Lady Chapel. After a pointed lawsuit with Henry Hucks Gibbs, first Baron Aldenham over who should direct the restoration, Grimthorpe had the vault remade and reproportioned in stone, made the floor in black and white marble (1893), and had new Victorian arcading and sculpture put below the canopy work. Externally the buttresses were expanded to support the new roof, and the walls were refaced.
As early as 1897, Grimthorpe was having to return to previously renovated sections to make repairs. His use of over-strong cement led to cracking, while his fondness for ironwork in windows led to corrosion and damage to the surrounding stone.
Grimthorpe died in 1905 and was interred in the churchyard. He left a bequest for continuing work on the buildings.

During this century the name St Albans Abbey was given to one of the town’s railway stations.

20th century
John Oldrid Scott (died 1913) (George Gilbert Scott’s son), despite frequent clashes with Grimthorpe, had continued working within the cathedral. Scott was a steadfast supporter of the Gothic revival and designed the tomb of the first bishop; he had a new bishop’s throne built (1903), together with commemorative stalls for Bishop Festing and two Archdeacons, and new choir stalls. He also repositioned and rebuilt the organ (1907). Further work was interrupted by the war.
A number of memorials to the war were added to the cathedral, notably the painting The Passing of Eleanor by Frank Salisbury (stolen 1973) and the reglazing of the main west window, dedicated in 1925.

Following the Enabling Act of 1919 control of the buildings passed to a Parochial Church Council (replaced by the Cathedral Council in 1968), who appointed the woodwork specialist John Rogers as Architect and Surveyor of the Fabric. He uncovered extensive death watch beetledamage in the presbytery vault and oversaw the repair (1930–31). He had four tons of rubbish removed from the crossing tower and the main timbers reinforced (1931–32), and invested in the extensive use of insecticide throughout the wood structures. In 1934, the eight bells were overhauled and four new bells added to be used in the celebration of George V’s jubilee.

Cecil Brown was architect and surveyor from 1939 to 1962. At first he merely oversaw the lowering of the bells for the war and established a fire watch, with the pump in the slype. After the war, in the 1950s, the organ was removed, rebuilt and reinstalled and new pews added. His major work was on the crossing tower. Grimthorpe’s cement was found to be damaging the Roman bricks: every brick in the tower was replaced as needed and reset in proper mortar by one man, Walter Barrett. The tower ceiling was renovated as were the nave murals. Brown established the Muniments Room to gather and hold all the church documents.
In 1972, to encourage a closer link between celebrant and congregation, the massive nine-ton pulpit along with the choir stalls and permanent pews was dismantled and removed. The altar space was enlarged and improved. New ‘lighter’ wood (limed oak) choir stalls were put in, and chairs replaced the pews. A new wooden pulpit was acquired from a Norfolk church and installed in 1974. External floodlighting was added in 1975.
A major survey in 1974 revealed new leaks, decay and other deterioration, and a ten-year restoration plan was agreed. Again the roofing required much work. The nave and clerestory roofs were repaired in four stages with new leading. The nave project was completed in 1984 at a total cost of £1.75 million. The clerestory windows were repaired with the corroded iron replaced with delta bronze and other Grimthorpe work on the clerestory was replaced. Seventy-two new heads for the corbel table were made. Grimthorpe’s west front was cracking, again due to the use originally of too strong a mortar, and was repaired.

A new visitors’ centre was proposed in 1970. Planning permission was sought in 1973; there was a public inquiry and approval was granted in 1977. Constructed to the south side of the cathedral close to the site of the original chapter house of the abbey, the new ‘Chapter House’ cost around £1 million and was officially opened on 8 June 1982 by Queen Elizabeth. The main building material was 500,000 replica Roman bricks.

Other late 20th-century works include the restoration of Alban’s shrine, with a new embroidered canopy, and the stained glass designed by Alan Younger for Grimthorpe’s north transept rose window, unveiled in 1989 by Diana, Princess of Wales.

Modern times
The Bishop is the Right Reverend Alan Smith, installed in September 2009. The Venerable Jonathan Smith is Archdeacon of St Albans, installed in October 2008. On 2 July 2004, the Very Reverend Canon Dr Jeffrey John became the ninth Dean of the Cathedral.

Robert Runcie, later Archbishop of Canterbury, was bishop of St Albans from 1970 to 1980 and returned to live in the city after his retirement; he is commemorated by a gargoyle on the Cathedral as well as being buried in the graveyard. Colin Slee, former Dean of Southwark Cathedral, was sub-dean at St Albans under Runcie and then Dean, Peter Moore. The bishop’s house is in Abbey Mill Lane, St Albans, as is the house of the Bishop of Hertford. The Reverend Canon Eric James, Chaplain Extraordinary to HM the Queen, was Canon at St Albans for many years.

en.wikipedia.org/wiki/St_Albans_Cathedral

Posted by PaChambers on 2015-11-28 18:58:15

Tagged: , religious , Albans , greater , chapel , abbey , St. Albans , old , St , Anglican , 2015 , religion , town , Christian , ancient , cathedral , London , Hertfordshire , winter , church , europe , travel , square , iphone , canon , apple , iphone6s , iphone6

Members Masterclass: Shaker box making

October 12, 2020 by 4g3nd4

Last Monday we were delighted to have master craftsman Murray Marks conduct a shaker box making masterclass for our members. He creates shaker boxes in exactly the same way as the Shaker craftsmen and women have for over two hundred years; using American cherry, participants learnt how to make their very own shaker box using this master technique.
The boxes are made, without any glue, using handmade copper rivets and tiny wooden pins (toothpicks!) to fix the top and bottom of each box into the lid and base. The swallowtail closing at the front of each box, tray or basket isn’t just there for aesthetic reasons, it helps to spread the pressure at the join of the bend to prevent splitting, which could easily happen!
Shaker boxes were first made as food storage containers. As the tupperware of their day, shaker boxes are strong, light and, most importantly, insect proof. The wares quickly became a must-have item in many American kitchens, and are sold today by the Shaker community throughout the USA in stacking sets of four or more.

Murrays Website:
www.marcovitchshakerbox.co.uk/contact.php

Posted by Institute of Making on 2015-02-13 16:00:25

Tagged: , shaker boxes , making , institute of making , materials , american cherry , steaming , wood , wood work , Murray marks , shaker , london

Fork Handles!!??

October 10, 2020 by 4g3nd4

My local DIY Store, General Woodwork Supplies which sadly closed in 2012 after 60 odd years of serving the local community in Stoke Newington, London

Facebook / Twitter / Website / 500px
Thanks for your interest

Posted by fred@fredadams-photography.com on 2015-08-21 20:11:06

Tagged: , DIY , General Woodwork Supplies , London , N16 , Stoke Newington , chat , conversation , customer , discussion , engaged , hackney , hardware , hardware store , paint , phone , phone call , shop , shop keeper , store , telephone , tools

Signature Store Fixture & Woodworking

October 9, 2020 by 4g3nd4

Signature Store Fixture & Woodworking specialize in the design, manufacturing, finishing and installation of fine custom cabinetry, millwork, Custom Kitchen, Store Fixtures, pharmacy store fixtures and many more. We service both the residential and commercial field. We also has access to retail environment and fixture design teams, custom manufacturers in metal, glass, acrylic and wood, and an installation and merchandising team across Canada.

Posted by paul.ssfw on 2020-01-04 07:21:34

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Chesham, Chiltern Hills, Buckinghamshire, England

October 8, 2020 by 4g3nd4

Chesham (/ˈtʃɛʃəm/, local /ˈtʃɛsəm/, or /ˈtʃɛzəm/) is a market town in the Chiltern Hills, Buckinghamshire, England. It is located 11 miles south-east of the county town of Aylesbury. Chesham is also a civil parishdesignated a town council within Chiltern district. It is situated in the Chess Valley and surrounded by farmland, as well as being bordered on one side by Amersham and Chesham Bois. The earliest records of Chesham as a settlement are from the second half of the 10th century although there is archaeological evidence of people in this area from around 8000 BC. Henry III granted the town a royal charter for a weekly market in 1257.

The town is known for its four Bs, usually quoted as:- boots, beer, brushes and Baptists.[3] Chesham’s prosperity grew significantly during the 18th and 19th centuries with the development of manufacturing industry.

In the face of fierce competition from both home and abroad all these traditional industries rapidly declined. The ready availability of skilled labour encouraged new industries to the town both before and after the end of the Second World War. Today employment in the town is provided mainly by small businesses engaged in light industry, technology and professional services.

From the early part of the 20th century onwards there has been a considerable expansion of the town with new housing developments and civic infrastructure. Increasingly Chesham has also become a commuter town with improved connection to London via the London Underground and road networks. The town centre has been progressively redeveloped since the 1960s and was pedestrianised in the 1990s. The population of the town has increased to slightly over 20,000 but further growth has been restricted because the area forms part of the Metropolitan Green Belt.

History

There is archaeological evidence of the earliest settlement during the Late Mesolithic period around 5000 BC in East Street, Chesham where a large quantity of Flint tools were found. The earliest farming evidence from the Neolithic era around 2500 BC. Bronze Age tribes settled in the valley around 1800 BC and they were succeeded by Iron Age Belgic people of the Catuvellauni tribe around 500 BC. Between 150-400 AD there is evidence of Romano-British farming and nearby at Latimer there is archaeological evidence of a Roman villa and the planting of grapevines. However the area was then deserted until the Saxon periodaround the 7th century’.

Contrary to popular belief, the town is not named after the river; rather, the river is named after the town. The first recorded reference to Chesham is under the Old English name Cæstæleshamm meaning "the river-meadow at the pile of stones" around 970 in the will of Lady Ælfgifu, who has been identified with the former wife of King Eadwig. She held an estate here which she bequeathed to Abingdon Abbey.

Prior to 1066 there were three adjacent estates which comprised Caestreham which are briefly recorded in the Domesday Book as being of 1½, 4 and 8½ hides, having four mills. The most important of these manors was held by Queen Edith, the widow of Edward the Confessor. Other land having been returned to the Crown it was in the hands of Harold Godwinson and his brother Leofwine Godwinson. Part of these later became Chesham Bois parish. After 1066 Edith kept her lands and William the Conqueror divided royal lands between his half brother Odo, Bishop of Bayeux and Hugh de Bolbec.

The Domesday Book records that there were three manors in Cestreham and one at nearby Latimer. William the Conqueror shared out the estates between four of his dependants. The vast majority of land was granted to Hugh de Bolebec and smaller parcels to Odo, Bishop of Bayeux, Toustain Mantel and Alsi.

Before the 13th century the three Cestreham manors were known as Chesham Higham, Chesham Bury and Chesham Boys (or ‘Bois’). In the 14th century they were first recorded as ‘the manors of Great Chesham’. Collectively they extended beyond the current Chesham town boundary. Together with the manor at Latimer they were held by the Earls of Oxfordand Surrey. During the 16th century Greater Chesham was owned by the Seymour familywho disposed of it to the Cavendish family who were the Earls and later Dukes of Devonshire. It is from the 15th century that the earliest surviving properties survive and are to be found close by the church in an area called the Nap, and along part of the present-day Church Street. Though gradually disposing of land the Cavendishes maintained an influence in the town until the 19th century. The Lowndes family started purchasing land from the 16th century. William Lowndes was an influential politician and Secretary to the Treasury during the reigns of Mary II, William III and Queen Anne. He had the original Bury and manor house of Great Chesham, rebuilt in 1712. The Lowndes family settled in Chesham and over the next 200 years became equally influential both nationally through politics and the law and locally within the town as its principle benefactors.

No evidence remains of any church prior to the Norman Conquest. However, the siting of puddingstones beneath the present-day church suggests a wooden church was constructed on the site during the Anglo-Saxon period. During the 12th century two families of Norman descent, the de Bolebecs and the Sifrewasts, each held a share of the advowson assigned to the adjacent manors of Chesham Higham and Chesham Bury respectively for the Church at Chesham which it is evidenced from about 1154 was dedicated to St Mary. These moieties were subsequently given by the families to two monasteries. In 1194 the de Bolbecs bestowed their advowson to the abbot and monks of Woburn Abbey and henceforth the parish of Chesham Higham was renamed ‘Chesham Woburn’. Meanwhile, and sometime before 1199, the Sifrewast family granted their advowson to the convent of St Mary’s de Pré Leicester. As a consequence the advowson for the parish of Chesham Bury became known as ‘Chesham Leicester’.[12] In 1536 Henry VIIIseized control of church property as part of the Dissolution of the Monasteries. Subsequently, during Edward VI and Elizabeth I’s reigns, first Chesham Woburn and then Chesham Leicester advowsons became part of the estates of the Dukes of Bedford. Though there were originally two vicars appointed to the parish church of St Mary’s from the 17th century a single incombent was appointed. Jurisdiction was still shared between both advowsons and two parsonages, an ‘upper’ and ‘lower’, continued to be maintained until the 18th century when both were superseded by a single new parsonage. The Duke of Bedford subsequently consolidated the moities by Act of Parliament in 1767. To accommodate the increasing population during the 19th century a new parish church were built in 1867; Christ Church at Waterside, and further churches were built at Ashley Green and Bellingdon which were at the time both within the civil parish of Chesham.

Chesham is noted for the religious dissent which dominated the town from the 15th century. In 1532 Thomas Harding was burnt at the stake in the town for being a Lollard and heretic. From the 17th century Chesham was a focus for those dissenting from mainstream religion. Quakers met in the late 17th century in Chesham and in 1798 they built the current meeting house. The first Baptists’ meeting dates back to about 1640 and a place was registered for services in 1706. The first chapel was opened in 1712, one of many to be built for the various Baptist groups during the 18th and 19th centuries. John Wesley preached in Chesham in the 1760s and a Wesleyan Methodist society existed in the town. In more recent time a Wesleyan Methodist chapel was opened in 1897. The Christian Brethren which date back in Chesham to 1876, opened their Gospel Hall in 1895, which closed in December 2008. Broadway Baptist church had branches at the Vale, Hawridge, Ashley Green and Chartridge, only the one at Chartridge survives. Trinity Baptist church had branches at Hyde Heath, Ley Hill and Whelpley Hill, only the one at Hyde Heath survives. The Congregational Church had branches at Asheridge and Pond Park.

The primary industries of the town in medievaltimes were flour production, woodworking and weaving of wool. There were four mills built along the Chess which was diverted to generate sufficient power. Surplus flour was supplied to London. The number of clothworkers, including spinners and those associated with dying (fullers), grew rapidly between 1530 and 1730 and became the major industry in the town prior to a period of rapid decline. Between 1740 to 1798 mills were converted to produce paper (pulp) responding to London’s insatiable demand for paper. However, technological developments in paper-making elsewhere rendered the mills unprofitable and they reverted to flour production in the 1850s.

New industries emerged from the 16th century onwards. The woodlands had been a source of firewood for London during the mediaeval period. A small-scale woodenware industry; making shovels, brooms, spoons and chairs, began around 1538 and its expansion was accompanied by the planting of beechwoods between 17th and 19th centuries. Straw plaiting was seen as home-based work for the wives and daughters of labourers from the 18th century. Straw was also imported from Italy to produce the superior ‘Tuscan plait’ traded at a Saturday market for the Luton and Dunstablehat trade and remained the major cottage industry until around 1860, providing employment for women and girls some of whom attended a ‘plait-school’ in Waterside. Lace making developed in the 16th century as a cottage industry and was valued for its quality. Chesham specialised in black lace. The industry declined in the 1850s due to mechinisation in Nottingham. Between 1838 and 1864 silk-spinning, powered by a steam-driven mill in Waterside was started to make use of unemployed lace workers. This trend was relatively short-lived as changes in fashion and the growth of the railways resulted in competition from elsewhere for the valuable London markets. However one exception was the firm of George Tutill, which specialised in high-quality banners and was responsible for three-quarters of those made for trade unions. The firm is still a going concern still specialising in flags and banners.

Three of the four Bs that have shaped Chesham’s history relate to its industries. Brush making was introduced around 1829 to make use of the off-cuts from woodworking. Boot and shoe making which started as a cottage industry later expanding through small workshops thrived following the opening of tanneries around 1792 which also supplied leather for saddle making and glove. By the mid-19th century both brushmaking and footwear manufacture became major industries in the town with production concentrated in large factories. The industry declined in the early-20th century as the market for heavy boots declined. Beer brewing grew rapidly around the town centre in the 19th century again declining at the start of the 20th century. These traditional industries were succeeded by smaller but more commercial enterprises which took advantage of the available skilled labour. For example, in 1908 the Chiltern Toy Works was opened by Joseph Eisenmann on Bellingdon Road, later moving to the ‘new’ industrial estate in Waterside, making high quality teddy bears. The works finally closed in 1960. Post Second World War industry has ranged from the manufacture of glue (Industrial Adhesives) to aluminium-based packaging (Alcan), Aluminium Castings & Bronze Castings (Draycast Foundries Limited) and balloons (B-Loony).

Social History

A Chesham workhouse for 90 paupers was operating in Germain Street as early as 1777. New legislation transferred the control of the Chesham institution to Amersham Poor Law Union in 1835. However, there were long-standing rivalries between the locals of both towns and in July that year violence broke out when an order was given to remove the paupers to Amersham. The Riot Act was read out to an angry crowd of 500 and arrests followed.

Publicly funded education started with the opening of a British School in 1825 followed by a National School in 1845, an Infants’ School in 1851 and the first Elementary School for girls in 1864. Chesham Building Society, opened for business in 1845 and continued to operate until June 2010 when it was taken over by the Skipton Building Society. Other public institutions also started at this time with the Fire Brigade coming in 1846, the first cemetery in 1858 and the Police Station built in 1861.

Chesham cottage hospital, built for £865 17s 11d on land provided by Lord Chesham, opened in October 1869 and just ahead of an outbreak of typhoid in 1871. Despite a local campaign to save the hospital it closed in 2005. In September 2010 the derelict hospital building was severely damaged by fire caused by arsonists according to police reports. The Council commissioned a waterworks to be built in 1875 in Alma Road and mains drainage in the town and a sewage works was opened adjacent to the Chess, downstream in 1887. A gasworks was constructed on the southern part of the town in 1847. Bathing in the Chess at Waterside was an old tradition which became increasingly popular in the 19th century. Complaints that it had become a nuisance led to the Urban District Council surrounding the site with a concrete wall. This further increased its popularity and an open-air pool was built by the council in 1912.

Transport connections have always come late to the town. The Metropolitan Railwayeventually reached Chesham in July 1889. Electrification was not to come until the 1960s. Between the two world wars and in the 1950s and 60s there was much expansion in the town with new public housing developments along the Missenden Road, at Pond Park and at Botley.

The first public viewings of cinema films in Chesham were provided by travelling showmen around 1900 and attracted large crowds. The first purpose-built cinema, The Empire Picture Hall, opened in Station Road in 1912 and in 1914 The Chesham Palace started up in The Broadway. Both showed silent films. By 1920 the Empire had closed. In 1930 the Chesham Palace was refurbished to show the new ‘talkies’ and reopened as The Astoria which remained in business until 1959 when the arrival of television forced it to close. The Embassy in Germain Street opened in 1935 and survived until 1982, closing due to competition from cinemas in nearby towns. The Elgiva Theatre, completed in 1976 beside St Mary’s Way, was equipped to show films and on moving to a new site just across the road in 1998 state of the art projection equipment was installed in the new theatre (see image below).

en.m.wikipedia.org/wiki/Chesham

Posted by PaChambers on 2016-04-23 17:12:29

Tagged: , england , uk , bucks , london , 2016 , europe , commuter town , metropolitan line , town , chiltern , April , chilterns , Chesham , rural , buckinghamshire , metroland , cottage , red , flowers , door

Autumn morning in Covent Garden, London

October 8, 2020 by 4g3nd4

Early history

The Bedford Estate (1552–1918)

Modern changes

Geography

Economy

Landmarks

Covent Garden square

Covent Garden market

Theatre Royal, Drury Lane

London Transport Museum

St Paul’s Church

Culture

Street performance

Pubs and bars

Cultural connections

Transport

en.wikipedia.org/wiki/Covent_Garden

Posted by PaChambers on 2015-10-02 10:55:52

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